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Aug. 20th, 2025 03:05 pm
summersgate: (Default)
[personal profile] summersgate
IMG_20250820_122709511_HDR.jpg
At the creek, another two chairs that Dave and I like to sit on. They believe in "lean on me" too.

Today was the first time I have climbed the hill from walking down to the creek when I didn't have my heart act up. Usually as I climb the hill my heart rate goes down instead of up - weird - which makes me feel very shaky and light headed. But today, now that I have the heart monitor attached to my chest it didn't happen. Figures - makes me look like a liar just wanting attention. But I did start the new med last night and cut back on the metoprolol so maybe that's it. That would be great if it was the end of this worrisome issue.

IMG_20250820_115903661[1].jpg
I took this pic today for my sister [profile] motherofearth45 so she could see how big the mirror mosaics are going to be. She thought they would be much bigger. No, just small. I got another 20 wooden frames today and plan to make 40 in all now. I am very into thinking up different combinations of decorative elements to go with colors of stained glass tessera. I want to do as many as I have concepts for. I have no idea what I will do with them all but so what? They will exist. And they'll eventually find homes I'm sure.

Wednesday reading

Aug. 20th, 2025 07:43 pm
rmc28: (reading)
[personal profile] rmc28

The Adventure of the Demonic Ox (Penric & Desdemona) by Lois McMaster Bujold
This is something like 14th in the ongoing Penric+Desdemona books. You don't want to start here, it's a satisfying enough instalment in the series if you are already invested in the characters and the family. If I have a criticism I think that like the last two books I found the progress of the book a bit predictable and not very surprising. But I still read it in two solid bites (only separated by the tedious matter of needing to sleep).

The Arctic Curry Club by Dani Redd
This was on the "free paperbacks" shelf at Cambridge North and I picked it up on a whim, and used some of my free time to give it a try. A bit like the previous book, I didn't find it especially surprising but I did find it very engaging, and some very mouthwatering descriptions of food. Our protagonist Maya moves to Svalbard with her partner, who is taking up a research post there, and who turns out to not actually be as supportive and perfect in the arctic night as he seemed in London. When Maya makes a flying trip to Bangalore for her father's remarriage, she reconnects with a childhood friend and starts to dig up old family history. On her return to Svalbard she makes new friends and new culinary adventures.

The Unexpected Inheritance of Inspector Chopra by Vaseem Khan
A retiring police inspector in Mumbai inherits a baby elephant on his last day in the job, and finds himself investigating one last murder case in his retirement, with occasional assistance from the elephant Ganesha. This was both charming and surprising and I enjoyed it very much.

RIP (Read In Progress) Wednesday

Aug. 20th, 2025 02:39 pm
silversea: Cat reading a red book (Reading Cat)
[personal profile] silversea posting in [community profile] booknook
What are you reading (or not reading)?

Also reminding people about the 2025 October Review-a-Thon!

A snippet from today

Aug. 20th, 2025 07:09 pm
rmc28: Rachel in a white dress and a red neckscarf for the Fête de Bayonne (bayonne)
[personal profile] rmc28

At the airport security check, putting my hand luggage in the trays for xray. The guy staffing the preparation area tells me if I have any electronics in my bag, I need to pull them out. I pull out my laptop and kindle. He asks me if I have anything else, such as a hairdryer.

My tournament buddy Lisa is in fits of giggles. Of all people, do I look like I need a hairdryer?

cimorene: closeup of a large book held in a woman's hands as she flips through it (reading)
[personal profile] cimorene
I am fascinated by reading antique magazines and the fiction published in them, and I don't want to imply that I'm not enjoying it, but... sometimes it's very hard to sympathize with the wealthy, or even the upper middle class.

Of course I'm used to literature being by and for the wealthy further back in history, and I don't say that I read about them without class consciousness, but somehow it's not as hard when it's from the 19th century or earlier. Maybe it's just that it's longer ago, or maybe it's because the society is more alien to me and harder to view through a personal lens.

But with these American upper middle class magazines from 1900-1940... well, the middle class was exploding in size and not all fiction or nonfiction was by and for the wealthy!

It's disorienting reading things about "every American girl" or "every new bride" in the 1920s that actually mean every American debutante. All four of my great-grandmothers got married in America around that time and none of them were worried about cruise ships and couture hats. (One was a nurse, one was a schoolteacher, one was a farmer's daughter and a farmer's wife, and one was a daughter of servants, from a big Catholic family.)

My tolerance for the wealthy perspective in fiction and nonfiction is lower the closer it gets to the present. I always have to overcome a strong impulse of disbelief that you're supposed to seriously sympathize with the idle rich, or people with maids, or the sphere where only people from recognizable New England families "count". Of course those people exist, but this is a big circulation women's magazine! Where are the average middle class women? The average middle class housewife was not a former debutante in 1908! But Woman's Home Companion could easily give the impression that she was. (Maybe there was a competing magazine that was preferred by the working middle classes. I'll try to find out.)

(no subject)

Aug. 20th, 2025 01:13 pm
maju: Clean my kitchen (Default)
[personal profile] maju
Experimenting with leg positions to avoid back pain )

Yesterday I felt very draggy and unmotivated (and sad) even though I had actually slept well the previous night. I was planning to go for a run sometime in the morning because it was cloudy and relatively cool (below 70°F/20°C) but I just didn't feel like it. I did use the exercise bike instead, but I felt low in motivation and cooped up for the rest of the day and regretted not running. I did go for a run this morning in spite of the lack of sleep last night, and my mood is generally better today.

When I go away I like to leave a few lamps set up with timers so that they come on and go off and approximately the times I would have lights on if I was here. I have to test my timer-setting before I leave to make sure I've got the times set correctly, so this morning I set up a couple of the lamps and timers and tomorrow morning I'll see if the lamps come on when they're supposed to. Actually, one of them is set to be on for a while both morning and evening, so I'll find out this evening if it's set correctly.

While I was out running this morning I checked the mail as I was passing the post office, and I was delighted to get an actual letter from Violet. I don't know why she decided to write a letter rather than an email, but it made me very happy. She signed it "sincerely, V", which I loved. ("sinceerly", and then a ps saying "Working on my spelling".) This letter must have taken a while to get to me, because she noted that "Tuesday is Aria's birthday"; Aria's birthday was on 5th August.

You Gotta Eat, by Margaret Eby

Aug. 20th, 2025 08:42 am
runpunkrun: Dana Scully reading Jose Chung's 'From Outer Space' in the style of a poster you'd find in your school library, text: Read. (reading)
[personal profile] runpunkrun
You Gotta Eat: Real-Life Strategies for Feeding Yourself When Cooking Feels Impossible, by Margaret Eby:

A gentle and funny book about how to feed yourself when that seems impossible.

This book offers three things: permission, inspiration, and recipes, in about those proportions if this were a list of ingredients. The chapters are arranged in increasing order of effort, from, basically, eating straight out of the fridge, right up to chopping stuff up and turning on the oven.

Each chapter starts with a theme and a bunch of ideas about how to turn things like eggs, greens, beans, noodles, dumplings, and canned foods into a meal, then finishes with one or two basic "do exactly this" recipes. The permission is throughout. Yes, it's okay to eat popcorn for dinner. Yes, a dip is a meal. Yes, you can just eat cheese with your hands. I gotta say, though, there is A LOT of cheese and dairy in this book. And, it's true, if I could eat dairy, a lot of my eating problems would be solved, but alas.

Still, I love the energy of the book and how funny and relentlessly kind Eby is. From the introduction:
When food felt like a chore, I kept reminding myself: the best food is the food that you'll eat. This is the mantra of this book. Michael Pollan famously had three rules for eating: "Eat food. Not too much. Mostly plants." That's nice for him! Here, we're gonna stop with the first one. And we're going to make it easy.
And there are a lot of easy ideas in here! Frittatas! Hummus! Smoothies! For when you're too tired to even chew!

This is more of a survival guide than a cookbook, though, as some of the cooking advice is a bit on the thin side, and if you're new to cooking, you might not know, for example, that you'll want to undercook pasta if you're putting it into a casserole, something Eby fails to mention. The book is probably best for someone who already knows the basics, but just can't imagine lifting a spoon or picking up a frying pan. Eby has a lot of suggestions for things to cook in the toaster oven and the microwave, and the most involved this book gets is casseroles and stirfrys. There are even two (2) quick desserts.

Recommended! Though if you have dietary restrictions, you'll have to do the extra work yourself to make this book work for you (just like every other day) and large sections of it might not, but I think it's still worth it for the inspiration and the reminder to go easy on yourself. You're doing the best you can.

Reading Wednesday

Aug. 20th, 2025 08:44 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: Signal to Noise by Silvia Moreno-Garcia. This held up on re-read—it's still my favourite of her work (admittedly I haven't read her latest) and is just this perfect exploration how it feels to be 15 and simultaneously enraged with and in love with the world.

Thyme Travellers: An Anthology of Palestinian Speculative Fiction, edited by Sonia Sulaiman. Somehow I missed this coming out last year despite—I thought, anyway—being on some kind of list from the editor. Anyway. It's quite excellent. Stories range from the hauntingly beautiful "The Third or Fourth Casualty" by Ziyad Saadi, about a group of children swimming and drowning, to the gorgeously defiant "Gaza Luna" by Samah Serour Fadil, to the absolute ugly-cry of "The Generation Chip" by Nadia Afifi. It's hard to pick a favourite—there are a lot of bangers in this collection. Anyway, you should read it.

Currently reading: Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism by Sarah Wynn-Williams. I would probably never read this if Mark Zuckerberg hadn't tried to have it banned, so good job with the Streisand Effect. It's pretty entertaining, though. The author pitches a job that doesn't exist to Facebook because she's naïvely convinced that the company is going to change the world in a good way (ha. ha. ha.) and then gets progressively more disillusioned when it turns out she works for the worst people. Also she almost got eaten by a shark when she was 13, which is a metaphor. But also she almost did get eaten by a shark when she was 13.
siderea: (Default)
[personal profile] siderea
Yall. I am so tired.

Last thing first. Investigating the other thing, I discovered this. I'll just cut and paste what I submitted as a ticket to Patreon:
I took a break of a few months, and when I came back my fees spiked. What gives?

I just did a month (July 2025) that extremely similar to last January (2025): similar revenues (466.19 vs 458.50), similar patrons (160 vs 162). According to my "Insights > Earnings" page, my total fees went up from 11.4% to the astounding 14.6%. Drilling down, most of that is an eye-watering 3% increase of the payment fees (5.8% to 8.8%). There was also a minor increase of Patreon's platform fee from 5.6% to 5.8%.

That represents a FIFTY-TWO PERCENT INCREASE in processing fees, and a 28% increase in fees over all.

Care to explain? Was there some announced change in payment structure or payment processor fees I missed?
I have received no response.

But the other thing is this: Patreon has dropped my business model.

Apparently by accident.

When I went to Patreon to create the Patreon post for my latest Siderea Post at the end of July, I was confronted with a recent UI update. In and of itself it wouldn't have been a problem, but, as usual, they screwed something up.

They removed the affordance for a post to Patreon to both be public and paid. The new UI conflated access and payment, such that it was no longer possible to post something world-accessible and still charge patrons for it.

I found a kludge to get around it so I could get paid at all, and I fired off a support ticket asking if it was possible but unobvious, or just not possible, and if it was not possible, whether that was a policy or a mistake. I have received very apologetic reply back from Patreon support which seemed to suggest (but not actually affirm) it was an unintentional:
From what we've seen so far, the option to make a post publicly accessible while still charging members for it isn't possible in the new editor. Content within a paid post will only be available to those with paid access, and it won't show up for the public.

Other creators have reported this same issue, and I want to reassure you that I've already shared this feedback with our team. If anything changes or if this feature is brought back, I'll be sure to keep you in mind and let you know right away.
So it's not like the reply was, "Oh, yes, it was announced that we wouldn't be supporting that feature any more," suggesting, contrarily, they didn't realize they were removing a feature at all.

The support person I was corresponding with encouraged me to write back with any further questions or issues, so I did:
Hi, [REDACTED], thanks for getting back to me. I have both some more questions and feedback.

1) Question: Am I understanding correctly, that the new UI's failure to support having publicly accessible paid posts was an oversight, and not a policy decision to no longer support that business model? Like, there's not an announcement this was going away that I missed? As a blogger who often writes about Patreon itself, I'd like to be able to clarify the situation for my readers.

2) Question: Do you have any news to share whether Patreon intends to restore this functionality? Is fixing this being put on a development roadmap, or should those of us who relied on this functionality just start making other plans? Again: my readers want to know, too.

3) Suggestion: If Patreon intends to restore this functionality, given the way the new UI is organized, the way to add the functionality back in is under "Free Access > More options" there should also be a "charge for this post" button, which then ungrays more options for charging a subset of patrons, defaulting to "charge all patrons".

4) Feedback: The affordance that was removed, of being able to charge patrons for world-accessible content, was my whole business model. I'm not the only one, as I gather you already have discovered. In case Patreon were corporately unaware, this is the business model of creators using Patreon to fund public goods, such as journalism, activism, and open source software. My patrons aren't paying me to give them something; my patrons are paying me to give something to the world. Please pass this along to whomever it's news.

5) Feedback: This is the sort of gaffe which suggests to creators that Patreon is out of touch with its users and doesn't appreciate the full breadth of how creators use Patreon. It is the latest in a long line of incidents that suggests to creators that Patreon is not a platform for creators, Patreon is a platform for music video creators, and everybody else is a red-headed stepchild whom Patreon corporately feels should be grateful they are allowed to use the platform at all. It makes those of us who are not music video creators feel unwelcome on Patreon.

6) Feedback: Being able to charge patrons for world-accessible content is one of a small and dwindling list of features that differentiated Patreon from cheaper competitors. Just sayin'.

7) Feedback: I thought you should know: my user experience has become that when I open Patreon to make a post, I have no idea whether I will be able to. I have to schedule an hour to engage with the Patreon new post workflow because I won't know what will be changed, what will be broken, etc. It would be nice if Patreon worked reliably. My experience as a creator-user of your site is NOT, "Oh, I don't like the choices available to me", it's that the site is unstable, flaky, unpredictable, unreliable.
I got this response:
Hi Siderea,

Thank you so much for your thoughtful follow-up and for sharing your questions and feedback in such detail.

To address your first question, I can’t speak to whether this change was an oversight or a deliberate policy decision, but I can confirm there hasn’t been any official announcement about removing the ability to charge members for world-accessible posts. If anything changes or if we receive more clarity from our product team, I’ll be sure to keep you updated.

At this time, I also don’t have any news to share about whether this functionality will be restored or if it’s on the development roadmap.

I know that’s not the most satisfying answer, but I want to reassure you that your feedback and suggestions are being shared directly with the relevant teams. The more we can highlight how important this feature is for creators like you, the better.

Thank you as well for your suggestion about how this could be reintroduced in the UI—I’ll make sure to pass that along, along with your broader feedback about the impact on creators who fund public goods. Your perspective is incredibly valuable, and I just want to truly thank you for taking the time to lay it all out so clearly.

If you have any more thoughts, questions, or ideas, please let me know, and I’ll be happy to take a further look. I appreciate your patience and your willingness to advocate for the creator community.

All the best,
[REDACTED]
Several observations:

0) Whoa.

1) That is the best customer service response letter I've ever gotten, for reasons I will perhaps break down at some other junction. But it both does and does not read like it was written by an AI. I didn't quite know what to make of it, until someone mentioned to me the phenomenon of customer service agents at another org using AI to generate letters, and then I was like, oooooooh, maybe that's what this is. Or maybe not. Hard to say.

2) Though [REDACTED] could not confirm or deny, it sure sounds like an accident, but one that impacts such an uninteresting-to-Patreon set of creators that they can't be arsed to fix it, either in a timely way or at all.

3) "The more we can highlight how important this feature is for creators like you, the better." is a hell of a sentence. Especially in conjunction with "...along with your broader feedback about the impact on creators who fund public goods.". Reading between the lines, it sure sounds like the support people have been inundated by a little wave of outraged/anguished public-good posters, and the support people, or at least this support person, is entirely on the creators' side against higher ups brushing them off. Could be a pose, of course, but, dayum.
So that's what I know from Patreon's side.

The kludge I came up with for the post I made at the end of July is that I used another new feature – the ability to drop a cut line across a Patreon post where above it is world readable and below it is paid access only – to make a paid-access only post where 100% of the post contents are above the cut line.

Please let me know if it's not working as intended. This unfortunately has the gross effect of putting a button on my new post saying "Join to unlock".

So.

In any event, I strongly encourage those of you following me as unpaid subscribers over on Patreon to make sure you're following me, instead, here on Dreamwidth, because Patreon is flaky.

I will make a separate post with instructions as to all the ways to do that. You can get email notifications of my posts (either all or just the Siderea Posts), follow RSS and Atom feeds, get DM inbox notifications, and, of course, just follow me on your DW reading page, all on/through Dreamwidth, anonymously and completely free.

Two goals!

Aug. 20th, 2025 09:16 am
rmc28: Rachel in hockey gear on the frozen fen at Upware, near Cambridge (Default)
[personal profile] rmc28

I joined the university open practice last night, after encouragement from my friend who is actually part of CUIHC (I was in the club, I dropped out two years ago, I plan to rejoin again this October but right now I'm in a weird limbo - eligible to play, lots of friends among the players, but not on any of the membership mailing lists or groupchats). 15 minutes or so warmup and then a scrimmage, with a spanking pace set by the Men's Blues players. It was enormous fun and a reminder of why I do these mad late nights etc. And I got a goal! Put myself by the back door and picked up a rebound, absolutely textbook stuff, very happy with it.

So my count is now:

  • 2 goals in scrimmage
  • 1 goal (actually an own goal by the opposition) and 3 assists in formal games

I'd love to reach the point where a goal in scrimmage is just another Tuesday, but maybe it's time to start a spreadsheet while I still remember each one individually.

(Other good things that happened yesterday: a coffee with [personal profile] lnr, lunch at the Dishoom Permit Room with Mick and Joye, book shopping with Charles, having the time to just sit and read a couple of books, skating lesson and seeing my friend E briefly afterward. Basically, it was a really lovely day of leave.)

on the approach to this birthday

Aug. 20th, 2025 01:10 am
elisem: (Default)
[personal profile] elisem
 Life is certainly enhanced with the improvement of available captioning in real time through various browsers and software. I want to have virtual tea with so many different people! I can see what they are saying! And it doesn't leave me exhausted the way lip-reading so often does. Maybe making a whole bunch of virtual tea dates will be another set of birthday presents. Things to look forward to. Always good.

Also there needs to be some storytelling. Some virtual storytelling gatherings, I mean. Even more things to look forward to.  In the meantime, I plan to continue enjoying the next few days as we approach Friday, which is the birthday actual.

If anybody wants to do a kind thing, letting people know about my Birthday Month Sale is a very kind thing indeed, and maximizes the amount of good stuff like bill-paying and bead-acquiring that this Lioness is able to do. <3 <3 <3

LionessElise's Birthday Month Sale:
Sale goes all through the month of August. 
As usual, there will be special birthday markdowns on the 22nd.
There will be more markdowns as the month goes on.
Expect the last days to be lively. And the last hours to be very bouncy indeed.
When it's done, anything left goes back to full price.
www.etsy.com/shop/LionessElise

mific: (RWRB)
[personal profile] mific posting in [community profile] fanart_recs
Fandom: Red White and Royal Blue (RWRB)
Characters/Pairing/Other Subject: Alex/Henry
Content Notes/Warnings: none
Medium: digital art
Artist on DW/LJ: n/a
Artist Website/Gallery: autiacorart on tumblr
Why this piece is awesome: A bit of fun - a James Bond AU, which they fit remarkably well. Seems like Alex is the "Bond girl" in this one, or possibly the sexy villain, and the king looks to be "M"!
Link: History Never Dies
elisem: (Default)
[personal profile] elisem
[Content Notes: this is a discussion of food and eating, and diabetes and new experiences, and I am a recovering eating disorder person. If that's not what you want to read about right now, please skip with my good wishes.]

Since it's that time of the year, I have been ordering a few things, telling myself that I might as well try them for this birthday rather than wait, because the possibilities of various tariffs may put them out of reach in the future.  When I say that the indecision platter is often my favorite thing on the menu, I'm talking about those meals that have samplers of several sort of dish. They are very good for learning about the range of foods sometimes. Also they can be a dopamine hit jackpot, at least for me. (If it's the dopamine that's providing the fun in here, as people who know the recent hypotheses tell me.)

They also save time if I can't make up my mind, which can be handy.

When looking at an unfamiliar menu, do you usually first make note of what you've never had before? Is it even more intriguing if you'd never heard of it before? 

The ordering has been proceeding with perhaps too much vigor, but hey. I have so few wild indulgences left on my to-do list these days, or should I say the can-do list? Probably. But I am doing my best to be sensible. I took the canned haggis off the list because I already know I love haggis. I did not take the little durian cakes off the list because although I already know I love durian, they were just a few dollars and MUST HAVE. (Note to self: ask brother-in-law to scope out CostCo's supply again. A year or two ago they had multipacks of durian mooncakes for ridiculously good prices. Om nom nom.) Some of my favorite drinks are coming (Milkis and San Pellegrino pomegranate/orange drink) because I fully expect tariffs to play hob with their prices. Even now they are a bunch higher than they were, but a person sufficiently motivated can make a melograno/arancia drink be the long-lasting slowly savored high point of their day, which is how I'll be approaching those. 

There are some garlic sable cookies coming. Garlic sable cookies! I have never! I must!  Those are an excellent example of the treasured WTF category. If it makes me immediately ask "Can you DO that??" it's a WTF delight and I want to know what it's like. Or to put it another way, my ignorance has provided endless opportunities for learning, and learning is so often so much fun -- and very tasty.

Part of the reason I'll be savoring things slowly is that I'm adapting to living with type 2 diabetes, which I've been dealing with for a year now. I got really, really lucky and got two excellent things from becoming a Metformin taker. One is an effect, and the other is, I think, a side effect. The effect is that it apparently went and repaired whatever sensor in me has to do with satiation, and tweaked the setting some, so I turn out to be done having food now,, thank you very much, earlier than I historically have been. A lot of this is because -- OK, I don't know if anybody else has this, but I used to do comfort eating, where certain things are very soothing. And that's different now. There is no soothing from food. It was pretty startling when I realized it. It's so weird when suddenly it does not work. I mean, at ALL. So that's one thing, and I think it's an effect.  The other thing is a side effect, but I do not mind it. It is this:  everything tastes wonderful. No, I mean WONDERFUL.  Plastic packet ramen might as well be gourmet. But the effect mentioned earlier holds: I don't feel like overeating. No matter how wonderful. I can go "Oh, that was so good," mean it entirely, and then go do the next thing. 

It is all so very weird. But it's kind of fun. (I appear to have also lost the ability to fret about food or weight or whatever.) We shall see where it leads.

Right now where it's leading is to ordering some birthday treats and then wondering how long they will last under the new schedule of savoring things. (The only thing I have found that I nom more than I want of is Swedish Bubs in pomegranate/strawberry flavor. Well, and those jelly snails. But those are both texture craving things, and that's a different issue.) Neurodiversity and food stuff is complicated even before getting to the land of Metformin. So far, though, it's better rather than not, even the uncomfortable bits where a coping mechanism isn't any more and needs to change. In the meantime, though, I have durian cakes and garlic sables and fruit-juice-filled gumme koi coming, and life is good that way.

Is there a new-to-you thing you have tasted that was a learning experience? Was it a delight? Was it tasty? Do you have texture cravings? Other cravings? Did you ever do comfort eating and then have it stop working for you? What then? (I find myself going to the workbench more. Which is not a bad result, really. Art is also comfort. Still comfort, I guess I should say. Do you have anything like that?)


Daily Happiness

Aug. 19th, 2025 08:17 pm
torachan: karkat from homestuck looking bored (karkat bored)
[personal profile] torachan
1. Both yesterday and today I had longish meetings that started at three, so I didn't get home until later, but for the rest of the week all my meetings are earlier, so I should be able to finish up sooner (or at least come home earlier and finish up there).

2. Yesterday one of our store managers turned in her two weeks notice, which sucks, as she is a good manager and also I like her personally, but she has to move back to Hawaii for family reasons. When I mentioned that to our company president, though, he said that if she's interested, they can probably find her a position at one of our Hawaii stores. It's not as easy as transferring locations within California, because while they're under our same parent company, they're separate from us, but it looks very likely, and she's interested, so I'm glad for her about that. (In terms of what will happen to the store she's at now, thankfully it's not one of our further away stores, so it should be easy to sort out a new manager.)

3. The armrests on this sofa are perfectly cat height.

Books read, March

Aug. 20th, 2025 02:59 pm
cyphomandra: boats in Auckland Harbour. Blue, blocky, cheerful (boats)
[personal profile] cyphomandra
Favourite of the month was Runt, both book and film.

Looking glass sound, Catriona Ward.
Four thousand weeks, Oliver Burkeman
Old school, Gordon Korman
Game changer, Rachel Reid
Head of the lower school, Dorothea Moore
Bye forever I guess, Jodi Meadows
Traces of two pasts, Kazushige Nojima
Runt, Craig Silvey
Walking to Aldabaran, Adrian Tchaikovsky
The angel of the crows, Katherine Addison
Galatea, Madeleine Miller
Illegal contact, Santino Hassell
Women and children first: the fiction of two world wars, Mary Cadogan
How to draw a secret, Cindy Chang



Looking glass sound, Catriona Ward. Wilder goes back to the Maine coast he spent his childhood at to write the story of him and his friends and a serial killer, one teenage summer. The memoir he originally started writing at college was stolen by his mysterious roommate and published as a fictional success - this is his chance to finally set the record straight. But who is telling the truth? Evocative writing, great setting and effectively creepy but I am picky about twists and in the end this piled on one too many and I lost touch with the characters.

Four thousand weeks: time management for mortals, Oliver Burkeman. Friendly pep-talk by the Guardian column writer about not maximising productivity and instead doing more with your life by embracing finitude. My sister loves this; I liked it but did feel it went on a bit.

Old school, Gordon Korman. Dexter has lived in his grandmother’s retirement community since he was six, and been cheerfully homeschooled by her and the other residents; suddenly he has to attend school. Desperate to leave, he nevertheless can’t help intervening when he sees a few things that need fixing… Rotating pov, community-building; it’s fun, not a top-tier Korman but still enjoyable.

Game changer, Amy Aislin. I see I wrote “sappy, no tension, I have concerns about food safety” but not the author, who turned out to be a bit tricky to track down as there’s also a het sports romance with a baker called The Game Changer and if you search for m/m hockey it’s all Rachel Reid’s Game Changers series. This one has a hockey player in his last year with a chance at the NHL who employs a hot personal assistant who is trying to get a fledgling cake jar business going and is desperate for cash. See previous comments plus add a bit about lack of professionalism in employer/employee relationships.

Head of the lower school, Dorothea Moore. Girl from large poor family (father presumed dead in the war, am sure you can guess at least part of the ending) wins scholarship to prestigious school, whose pupils are largely appalled at the prospect of a scholarship girl from a council school. Moore is rather fond of action so this also involves a lot of hair-raising dashes through the fens, spies, floods etc, in addition to various japes at school. Joey makes a lot of mistakes, some of which ring truer than others (she overhears a cousin disdaining her presence and makes a rapid exit from her aunt’s house, intending to walk the six miles back to school and send a postcard later, rather than stay feeling unwanted) but her heart is obviously in the right place and she is also English (Joey starts the book in Scotland but this appears to be temporary), so she wastes no time in uncovering conspiracies, learning Morse, revealing spies etc. There is a cute Belgian refugée, an evil French-Swiss chemistry professor, and a bit where one of the teachers comes back to school after an illness and Joey remarks: “she might have died of that loathly ‘flu; lots of people have,” which actually struck me more than all the declarations of national pride.

Bye forever I guess, Jodi Meadows. RL and online identities collide - 13 year old Ingrid stands up to her dominating and exploitative “friend” Rachel, and is ostracised; at least she has her online BFF and fellow MMORPG player Lauren, and, following a wrong number text, a new online acquaintance, Traveler. But maybe Traveler is closer than she thinks… This is a solid portrayal of friendships and first crushes, on and off-line, and the tensions between them, and the fandom (Ingrid and Lauren have a favourite author, and get to meet her) and gaming bits are all well done.

Traces of two pasts, Kazushige Nojima. Backstory for Tifa and Aerith. I like the Midgar slums bits for Tifa more than the Nibelheim bits (Barrett with baby Marlene!), and the Aerith half is less compelling when it tries to expand on what’s already shown in the game (Aerith’s trial in the Temple of the Ancients in the game is about 50x more powerful than anything here.

Runt, Craig Silvey. I saw the movie first and it’s one of those rare cases where both are excellent. The movie is a very faithful adaption of this story in which Annie, a farm girl in an Australian town where drought and an evil water baron have jeopardised everyone’s livelihoods, adopts Runt, a stray dog who turns out to have a startling talent for competitive agility. It’s funny and touching and satisfying; has an older lesbian get-together (Annie’s widowed gran and the retired indigenous Australian champion agility trainer).

Walking to Aldabaran, Adrian Tchaikovsky. Astronaut lost inside a wormhole maze on an alien artefact survives - somehow. Nicely compact creepiness with a Beowulf homage that reminds me once again that I have never read the original.

The angel of the crows, Katherine Addison. “Sherlock Holmes wingfic meets Jack the Ripper,” I’ve written, and unfortunately the angel bits feel as stuck on as the wings. I know Addison’s read a lot about the Ripper but most of this is retelling Sherlock Holmes classics with the supernatural shoehorned in. I liked her Watson slightly more than her Holmes, but the more that got revealed the more I found holes in the background worldbuilding.

Galatea, Madeleine Miller. Short story, really, of the “men are bad, especially in Greek myth,” genus, but I liked it and it didn’t irk me the way her The Song of Achilles did.

Illegal contact, Santino Hassell. I was looking for non hockey sports m/m and the author’s name seemed vaguely familiar, so I tried this. Then I checked afterwards and discovered where I’d seen the name was the disclosure that Santino Hassell, supposed bisexual former addict single father with cancer, was actually a Texas housewife who exploited gay teens, using their stories/texts etc in her fiction, and now I’m not even going to bother to review this.

Women and children first: the fiction of two world wars, Mary Cadogan. Opinionated but reasonably thorough, although I think Cadogan loses patience more quickly when dealing with anything outside GO (girlsown) fiction. The book I most liked the sound of from this, Munition Mary (published 1918, girl joins WWI munition factory, I suspect she probably uncovers at least one German spy and saves someone heroically)

How to draw a secret, Cindy Chang. Middle grade autobiographical graphic novel (yup, I snitch these from my kids). Cindy, a keen artist, is not allowed to tell anyone her father has moved back to Taiwan from the US; then an unexpected trip back reveals why he left, and why her family is no longer perfect. Nicely done and good at managing emotions realistically (I was also relieved the secret wasn’t child abuse).

(no subject)

Aug. 19th, 2025 09:22 pm
skygiants: Lord Yon from Legend of the First King's Four Gods in full regalia; text, 'judging' (judging)
[personal profile] skygiants
The last of the four Hugo Best Novel nominees I read (I did not get around to Service Model or Someone You Can Build A Nest In) was A Sorceress Comes to Call, which ... I think perhaps I have hit the point, officially, at which I've read Too Much Kingfisher; which is not, in the grand scheme of things, that much. But it's enough to identify and be slightly annoyed by repeated patterns, by the type of people who, in a Kingfisher book, are Always Good and Virtuous, and by the type of people who are Not.

A Sorceress Comes to Call is a sort of Regency riff; it's also a bit of a Goose Girl riff, although I have truly no idea what it's trying to say about the original story of the Goose Girl, a fairy tale about which one might have really a lot of things to say. Anyway, the plot involves an evil sorceress with an evil horse (named Falada after the Goose Girl horse) who brings her abused teen daughter along with her in an attempt to seduce a kindly but clueless aristocrat into marriage. The particular method by which the evil sorceress abuses her daughter is striking and terrible, and drawn with skill. Fortunately, the abused teen daughter then bonds with the aristocrat's practical middle-aged spinster sister and her practical middle-aged friends, and learns from them how to be a Practical Heroine in her own right, and they all team up to defeat the evil sorceress mother and her evil horse. The good end happily, and the bad unhappily. At no point is anybody required to feel sympathy for the abusive sorceress mother or the evil horse. If this is the sort of book you like you will probably like this book, and you can stop reading here.

ungenerous readings below )

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